KUNST

Die meisten meiner Arbeiten sind performative Handlungen. Einfache Dinge, die sofort stattfinden können. Oft werden die Handlungen und Situationen nur durch kurze Texte dokumentiert. Einfache Handlungen, alltägliche oder beiläufige Gesten. Leichte Verschiebungen. Spontane Sofortmaßnahmen, die in den normalen Lauf eingreifen. Eine bedeutungslose Berührung oder eine handfeste Verwicklung. Ein harmloses Wort oder eine Provokation. Es ist zu tun, was zu tun ist.

Die entstandenen analogen und digitalen Teilwerke werden in der Augmented Reality zusammengeführt, virtuelle Anteile mischen sich mit der realen Wirklichkeit. Das heißt, einzelne Arbeiten werden mittels der Augmented Reality durch Objekte, Überlagerungen oder Effekte erweitert und wieder in die reale Welt integriert. So können zum Beispiel direkt durch den Handybildschirm (mobiles AR) Elemente angezeigt werden, die sich auf die reale Umgebung legen. Dies lässt im Zusammenspiel mit Konzepten der Performativität eine Form des digitalen Storytellings entstehen.

Dabei spielen sowohl in der realen Welt als auch in der digitalen prozessorientierte Handlungen genauso eine wichtige Rolle wie Kooperation und Vernetzung. Die eigene künstlerische Praxis nehme ich dabei als Ausgangspunkt, wie ich selbst vermittelnd tätig bin (künstlerischen Vermittlung).

SORRY, BUT I´M STILL WORKING!

2021

Kunstverein Ahlen, 28. august 2021
Performance, Video, Dauer: 1.04 h

In downtown Ahlen, near Kirchplatz, I'm standing in front of a transparent wall made of linoleum and begin to write on it with a chalk maker from what I've seen, read and hear in the last 24 hours.Again and again üI rethink and change what is spoken, what is read and what is heard. When I'm finished, I cut up the wall that I have written on. I then arrange the individual parts into a new picture and leave.

I WAS MOWING THE LAWN!

2021

Gütersloh KV IN THE BOX, Kunstverein Kreis Gütersloh, 24. Juli 2021
Performance, Video, Dauer: 1.35 h

I‘m standing in a glass box and writing on its panels with a chalk marker - writing what I’ve seen, read and heard in the last 24 hours. Again and again I rethink and change what is spoken, what is read and what is heard. When I‘m finished, I remove what is written and walk away.

Fotos: Philip Sawicki

NOTHING IS NOT NOTHING

2020

Münster, 05. July - 01. August 2020
performance, video, duration: variable

This is what I did:

I took over the Instagram account from deux- piece.Every evening from July 5th to August 1st 2020 I posted a video with seemingly meaning- less actions. The video record shows a moment during the day. At times I recorded the videos myself and other times not.

HOW LONG IS YESTERDAY

2019

Münster, 06. July 2019,

performance, video, duration: 7.35 hour

I draw small horizontal lines on the wall of the room. A line for every day I’ve lived so far. The small lines eventually blend into one big line.

Stephanie Sczepanek
im KELLER
Aegidiistraße 46/47
48143 Münster

Info:
www.im-keller.info

Turner

2018

Münster, 24. November 2018
Performance, Video, 2, 38 h

I stand in an empty exhibition room and repeatedly and alternately utter the words i WANT MONEY; I NEED MONEY. After a while, the pronunciation of the spoken words becomes divorced from all meaning. I utter them until I can’t anymore.

TANGO ARGENTINO

2018

Monbijoupark, Berlin, 23. May 2018
Performance, 23. Mai 2018, Dauer: 5,34 h

I’m dancing Tango Argentino on the dance floor. Alone or with anyone willing to dance with me.

DUISBURG

Lehmbruck Museum

2015

Lehmbruck Museum Duisburg, Friedrich-Wilhelm-Strasse 40,
03. October 2015
performance, video, duration: 47 minutes

©Foto: Till-Julian Huss

I draw a continuous line with my index finger over floors, stairs, people and objects.

Play Video

Videodocumentation, 18´26 min.

RECKLINGHAUSEN

Kunsthalle

2015

Kunsthalle, Recklinghausen, 06. December 2015
Große-Perdekamp-Str. 25-27
performance, video, duration: 3,33 hour

I draw lines with my index finger over predeter- mined lines on the palms of hands, fingers and wrists. I find pictures in the hands of people they would never suspect.

SPEAKER´S CORNER

Münster

2014

Münster, 2014
Wolbeckerstraße, Section Kanalbrücke
performance, video, duration: 6.52 min

I dig a hole, put my head in it and fill the hole back in with sand. Subsequently I compress the sand with my hands and wait.

SPEAKER´S CORNER

Münster

2014

Münster, 2014
Windhorststrasse, Section Speaker´s Corner I
performance, video, duration: 1.58 min

I wade through a fountain where ducks swim. I put my things down at the other end of the pool on the ledge. I return to the middle and take turns putting my hands and feet in my mouth and see how far they fit. During this process I disappear below the surface again and again. When I’m done, I go out to the edge of the pool, take my things and go away.

SPEAKER´S CORNER

Münster

2014

Münster, 2014
Windhorststrasse, Section Speaker´s Corner II
performance, video, duration: 1.55 min

I bend my body parts, try to twist and knot them, and then roll around on the ground like a ball. I keep on trying. I interrupt the process to clasp my fingers and toes together and roll around on the ground again.

SPEAKER´S CORNER

Münster

2014

Münster, 2014
Windhorststraße, Abschnitt Speaker’s Corner IV
performance, video, duration: 2.04 min

I walk from the street to the playground and take pictures of myself, again and again, making faces. I take off my shoes, take off my jacket and scarf and start bouncing up and down on the trampoline, which is located on the playground, all the while continuing making faces and tak- ing selfies, even with my feet. I begin to say photo ... phoootttooo ... phooootttttttooooooo. I stop jumping, get dressed again without interrupting the process of taking pictures, and walk away.

SPEAKER´S CORNER

Münster

2014

Münster, 2014
Windhorststrasse, Section Speaker´s Corner IX
performance, video, duration: 2.57 min

You should be me. Move with the wheelchair to a public space. Stuff as many cigarettes as pos- sible into your mouth and ask people whether they have a lighter. When you’re finished, you need to ask someone to push you back to where you came from.